Table of Content
Ekaterina Yu. Endoltseva
Dorotheos Dbar (archimandrite)
Altar Barrier from Dranda Church: New Facts
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Jesus Rodriguez Viejo
Art et formation: L’enluminure de manuscrits dans l’abbaye normande de Saint-Évroult après 1066
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Andreea-Irina Stoleriu
Features of The Final Judgement Representation in the 16th century Moldavian Painting
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Răzvan Ionescu
Irish Miniature in the Context of Culture Ornaments of Celtic origin
Article PDF
Liviu Petcu
God loves everyone ”with the same love He has for the entire world“. Incursio patristica
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Alexandrel Barnea
Springs of the Church Music: A “Russian Axion Estin (It Is Truly Meet)” from the Psaltic Manuscripts of Neamţ Monastery
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Robert Simalcsik
Typological, Synchronic and Diachronic Analogies from the Medieval Period in Săbăoani locality, Neamț county, Romania
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Andreea Ioana Aelenei
Fantaisies monacales : de Rutebeuf au Marquis de Sade
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Paula Andreea Onofrei
Medieval Elements in Victor Hugo’s The Hunchback of Notre-Dame
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Cristian Ungureanu
The Lion’s symbolism in European art reflected in the studies of Dr. Roberto Tollo
Roberto Tollo, L’impronta del Leone. Simbologia del principe dei felini nell’arte d’Occidente e sue valenze nel pensiero di sant’Agostino d’Ippona, Biblioteca Egidiana, Tolentino, 2018, 138 pages.
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Adrian Stoleriu
The Return of the Prodigal Son. A Lesson of Life Through Faith and Art
Codrina-Laura Ioniță
Le visage d’un voïévode à travers les ans / The face of a voivode through the years